Wheatley co-wrote the script with Robin Hill. They have been writing and shooting shorts together for a number of years, often filming at Robin’s parent’s house on Down Terrace and starring his father, Robert. The writing pair decided they wanted to shoot a full-length film. As it needed to be something they could make on a small budget it had to feature Robert and Robin and be able to be filmed at the house on Down Terrace. And that’s how the idea for the film began.
The end result is a gangster film, but unlike anything you’ve come to expect. This is a film completely devoid of the glamour that often accompanies movies about professional criminals. Taking elements of the crime genre the film’s real focus is on the corrosive nature of a dysfunctional family. This darkly comical piece is populated by characters whose danger derives from how emotionally-stunted they are. Karl, a man in his thirties, lives like an overgrown teenager in his parent’s home, smothered by manipulative parents. Maggie is perhaps the most disturbed (giving Jackie Weaver’s matriarch in Animal Kingdom a good run for her money), as she at first appears to be a reasonably caring mother and wife, but when her true nature is revealed she is terrifying.
Down Terrace is a great example of clever filmmaking working within tight parameters but creating something exciting and fresh. The script highlights the productions natural strengths, the strong bond between real-life father and son Robert and Robin; the limited locations help exaggerate the claustrophobic and paranoid nature of the crumbling family.
Down Terrace is a surprising film, fitting in more to the kitchen sink drama mould of British filmmaking than the thumping soundtrack and bravado of Guy Richie’s criminal visions. No doubt this is an off-kilter gangster film, but somehow the occasionally shocking violence and the comedic elements combine to make something charmingly original.
Images provided by Madman
First Published on Trespass