Showing posts with label Theatre. Show all posts
Showing posts with label Theatre. Show all posts

Monday, November 15, 2010

Interview: Emily Calder / Flightfall

A mystery of creative collaborations

I speak to Emily Calder, Flightfall is a week from opening at the Old Fitzroy Theatre, and the young playwright can hardly believe it. “It is feeling very surreal at the moment. It’s been two years of lots and lots of re-drafting. In my mind I never really imagined it would be on.” For the 26-year-old NIDA graduate, it’s a significant milestone: her first produced full-length play. Covering topics of fidelity, passion and creativity,Flightfall has a young cast of talented up-and-coming Australian actors, and will be directed by Calder’s fellow NIDA graduate, Mark Grentell.

In fact, Grentell has been an instrumental to Flightfall from its inception.“Mark approached me at the end of my Playwrights Studio year at NIDA, and he wanted me to write about a particular subject,” Calder explains. “It was very broad in scope and I struggled to find the story I wanted to tell to represent that.” It was a bit of fortuitous timing that saw Calder’s first draft become part of Sydney Theatre Company’s Next Stage program. “Mark was working as an assistant director on a production here (STC) and he mentioned our project, and they had some workshops they were offering to writers.”

Calder credits Next Stage as an integral force in the play’s development “We had a really amazing three day workshop at the STC and we had three of the young female actors [from the STC’s Residents] basically doing lots of improvisations, and I wrote a whole lot of new scenes from it.” Calder is enthusiastic about the need for artistic collaborations throughout the whole writing process. “One of the sweetest words to my ear is ‘workshop’. You are sitting there all alone in your room, and you read the words out to yourself, but until you actually hear them coming from someone else… I’ve been so lucky to have fantastic actors reading for me, the whole way through.”

In Grentell’s production of Flightfall Augusta Miller (Happy Feet) plays Nina, an artist who is seduced by her new muse (played by Ryan Corr ofPacked to the Rafters), causing tension with her boyfriend Sam (James Elliot) and her best friend Jo (Alexandra Fisher). Although Calder will discuss the play’s themes and tone she is a little coy about the plot. “Flightfall is a bit of a mystery play, so I can’t give too much away… the play is about this artist and her story. It is about art, and what happens with her and her boyfriend, but it also represents poetically something else, which you find out about at the end.”

At a certain point, with the show cast, and its premiere season approaching, Calder had to let go of her baby. “Mark and I had discussed the need to give the director and the actors the script by themselves, and not have the pressure of the writer in the room. I kind of really missed being [in rehearsals], because I loved it so much, and I have to admit I did have that initial ‘oh my baby’ – which I think is typical to all writers.”

There’s always the ‘next thing’ to look forward to, however. “There has been so much work put into it, it would be wonderful if it had a run somewhere else, or got picked up for another venue,” Calder reflects. “I hope it will open doors so I can write more. I suppose everyone would just love to do it again, I think.”

First published in The Brag 25/10/2010

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Saturday, October 17, 2009

NT LIVE- Stage to Screen

All's Well That Ends Well
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The National Theatre (London, UK) is trying to spread theatrical love across the world with its launch this year of NT LIVE. This pioneering scheme promises to open up the experience of their world class productions to wider audiences, as the National Theatre broadcast live-captured performances of plays to cinemas throughout the globe. NT LIVE’s pilot season is firmly underway with its second production, All’s Well That Ends Well, coming to cinemas around Australia this weekend - 17th and 18th October.

Whilst time constraints make it impossible for Australia and other regions to see the live performance at the same time as the production (the play was screened in cinemas in UK and US earlier this month) the screenings this weekend are the same live performance seen in the Northern Hemisphere; there has been no additional editing.

It was the final night of All’s Well That Ends Well that was chosen to be recorded for the NT LIVE programme. This seldom performed Shakespeare comedy was recorded using nine HD cameras around the venue, the prestigious Olivier Theatre. Certainly there are both pros and cons to watching a play in the cinema, captured in a filmic way. The atmosphere of the live theatre environment is not easily transplanted. While this experiment of translating the stage to the screen is not the equivalent of seeing the live production, surely it is the next best thing.

click here
to read full review at Trespass

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